| Product | ALEXA Mini |
| Camera type | 35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive. |
| Dimensions | Length: 185 mm/7.3" Width: 125 mm/4.9" Height: 140 mm/5.5" (camera body with PL lens mount) |
| Recording codec | ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW |
| Recording frame rates | 16:9 ProRes HD 0.75 - 200 fps ProRes S16 HD 0.75 - 200 fps ProRes 2K 0.75 - 200 fps ProRes 3.2K 0.75 - 60 fps ProRes UHD 0.75 - 60 fps MFX/ARRIRAW 16:9 2.8K 0.75 - 48 fps 4:3 ProRes 4:3 2.8K 0.75 - 50 fps 6:5* ProRes 2:39:1 2K Ana. 0.75 - 120 fps 8:9** ProRes HD Ana. 0.75 - 120 fps Open Gate MFX/ARRIRAW 3.4K Open Gate 0.75 - 30 fps * 4:3 cropped ** Center crop from anamorphic (1) Minimum frame rate is always 0.75 fps (2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode) |
| Color output | Rec 709, custom look or Log C |
| Look control | Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) |
| Adjustable image parameters | Knee, gamma, saturation, black gamma, saturation by hue |
| Focus and exposure control | Peaking, zebra, false color, waveform |
| White balance | Manual and auto white balance |
| Sound level | < 20 dB(A) at standard frame rates |
| Environmental | '-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics |
| Viewfinder | Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1 |
| Control interface | Soft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters. |
| ARRI lens motor control | Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive |
| Wi-Fi remote control | Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops |
| Custom control | Optional GPIO interface for integration with custom control interfaces |
| Power input | Lemo 8-pin, 10.5-34 V DC |
| Video outputs | 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes. |
| Inputs | SDI-Genlock (optional activation through ARRI Service), Timecode (in and output) |
| Other interfaces | USB 2.0 (for user sets, looks etc.) Ethernet for service and web remote control EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage) |
KO FILM CHINA
ADD：Building No.2, Top New Film Industry Park ,No.85 ChaoYang Road ,Beijing of CHINA
TEL：+8610 53639927
KO FILM FRANCE
ADD：253 Rue Saint Honoré 75001 Paris France
TEL： +33 (0) 1 44 55 07 30 M: +33(0)6 16 97 22 08 M: +86 136-5603-0482
KO FILM JAPAN
ADD：千葉県松戸市小山69−5
TEL：+81(0)9093656888
